Miyajima Labs Stereo Cartridges

The patented cross-ring method eliminates several cartridge design flaws.

The cross-ring method makes several improvements.  The ability to generate a low distortion signal is drastically improved by putting the centerpoint of the suspension, the fulcrum, at the center of the coil armature (instead of being behind the coil).  By replacing the traditional tie-back wire technique with the Miyajima fulcrum, the dynamic behavior of the stylus/cantilever is made more linear.  By replacing the iron coil armature (former) with resin, the coil armature does not interact with the magnetic field.  Further, the Miyajima cross-ring generator features a new way of winding the coil armature to minimize distortion and cross-talk. 

There are two significant problems in a conventional moving coil cartridge:

1) The conventional MC cartridge installs a square iron core to a cantilever and winds up a coil to the iron core.  And it installs a tie-back wire in the center of the iron core.  And it is fixed through a rubber damper in the Yoke.  Therefore the pivot point is located in a rubber damper behind the signal generating coil.  There is the cross-shaped thing to the iron core, too, with a winding geometry that is less than perfect.

This traditional method is the magnetic induction AC electricity generating system, which requires a magnetic armature, usually of iron.  Because of manufacturing techniques, this iron armature is separated from the pivot point or axis of rotation.
The result is that the iron core/armature is put in a magnetic field, and then is strongly attracted to the magnetic field.  As the iron core/armature moves in the magnetic field, the relative strength of the magnetic field changes, pulling on the iron core/armature in constantly changing ratios (the inverse-square relationship dominates a magnetic field, and this relationships is “non-linear”).  Therefore, as the iron core interacts with the magnetic field, it is not possible for free, correct movement.  Rather the movement is distorted as the powerful magnets used in an MC cartridge tries to influence the movement of the iron core, rather than the stylus.

2.  In addition, the pivot point is very vague because a tie-back wire is the bending point.  Much like comparing a proper hinge to a tree limb.  The vague fulcrum cannot precisely and consistently follow the groove, as increasing forces will pull the coil further out of the ideal magnetic gap, leading to distortion.  This old style of suspension is unpredictable, and is also more reactive, the same way a tree limb whips around in high wind.

An additional benefit of using resin cores, versus iron is that the iron core suffers from Hysteresis distortion.  That subject is complicated to explain, but it is the “memory” of a magnetic material.  There is a constant lag in the change of magnetism, causing distortion.  Resin does not suffer from magnetic Hysteresis.  So iron interacts with the magnetic flux, it is heavy, and it suffers from Hysteresis distortion
.

The cross ring method was devised.

The cross ring method eliminates several problems with conventional MC cartridges.  The cross ring method focuses the dynamic behavior of the coil, keeping the left and right channels synchronized and in the uniform magnetic field by giving the cross-ring cartridge a defined rotational center-point. In addition, a resin core was chosen over an iron core because the pivot point is inside the magnetic core.  The resin core frees the core from magnetic interaction with the powerful magnets being used, freeing the coil to move naturally.

 

The cross ring method has splendid ability.  You notice speed first. And the sound is natural.  There is no unnecessary mechanical sounds, and harmonic distortion is reduced.  The stereo images have good separation.  

The thought and feelings of musicians are felt, and there is real charm in the tone of the musical instrument.  Voices are warm and have vitality.  I am convinced that the cross ring method differs greatly  from standard MC cartridges.

 

This method, the Miyajima cross ring method, is patented and is a significant improvement in the evolution of phono cartridges.  

It took seven years to finish the cross ring development period, and many efforts were necessary to realize the final product.  

I made the main body of wood to maintain a natural sound. It avoids the artificial sounds of metal and plastic.

 
A figure of structure of the conventional stereo cartridge

 

A figure of structure of the cartridge of the cross ring method

All stereo cartridges of Miyajima-Lab are Cross Ring methods

 

-Takumi-

The sound of Takumi is clear and soft.  Takumi is compatible with a variety of tonearms.  Miyajima reduced production cost of Takumi to make it affordable for more users.  However, it is still a cross ring design.

 Maker Miyajima-Laboratory
 Product name Stereo cartridge -Takumi-
 Impedance About 16 ohms (About 0.2mV output)
 Frequency range (-3dB) 20 Hz to 25 kHz
 Tracking force 2.3 g
 Stylus Shape bonded elliptical diamond stylus
 Compliance (10Hz) around 9×10-6cm/dyne
 Appropriate temperature 20-30 Celsius (most suitable 25 C)
 68-86 Fahrenheit (most suitable 77 F)
 Weight About 8.9g
 Body African Blackwood

 

 -Saboten-

The feature of this cartridge is the use of the Japanese cactus spine for a cantilever.  Like the Madake cantilever, a natural material produces natural sound.  While the time spent cutting and shaving bamboo cantilevers is quite long and arduous, the cactus spine is sorted and is only cut to length (not shaved).

The stylus is mounted to a thin aluminum cantilever of 0.5 millimeters in diameter.  The aluminum is then joined to the cactus spine.  Saboten has a lingering sound.  It lets you feel  rich sound in even a small audio system.  It is superior for the reproduction of weak soft sounds.  The main body is lignum vitae, said to be the world’s hardest tree.

About a special cantilever

 Maker Miyajima-Laboratory
 Product name Stereo cartridge -Saboten-
 Impedance About 15 ohms (About 0.18mV output)
 Frequency range (-3dB) 20 Hz to 25 kHz
 Tracking force 2.0 g
 Stylus Shape bonded elliptical diamond stylus
 Compliance (10Hz) around 9×10-6cm/dyne
 Appropriate temperature 20-30 Celsius (most suitable 25 C)
 68-86 Fahrenheit (most suitable 77 F)
 Weight About 8.4g
 Body Lignum vitae

 

-Takumi L- NEW ! 

“Takumi L” is an upgraded Takumi with a Line contact stylus.  Takumi L has a wider frequency range than Takumi.

 Maker Miyajima-Laboratory
 Product name Stereo cartridge -Takumi L-
 Impedance About 16 ohms (About 0.21mV output)
 Frequency range (-3dB) 20 Hz to 32 kHz
 Tracking force 2.3 g
 Stylus Shape nude Line Contact diamond stylus
 Compliance (10Hz) around 9×10-6cm/dyne
 Appropriate temperature 20-30 Celsius (most suitable 25 C)
68-86 Fahrenheit (most suitable 77 F)
 Weight About 8.9g
 Body African Blackwood

 

-Shilabe-


The African blackwood is the same wood used for the body of the clarinet and the oboe.  It is a dense and hard wood with beautiful luster.

 Maker Miyajima-Laboratory
 Product name Stereo cartridge -Shilabe-
 Impedance About 16 ohms (About 0.23mV output)
 Frequency range (-3dB) 20 Hz to 32 kHz
 Tracking force 3.0 g
 Stylus Shape nude Shibata diamond stylus
 Compliance (10Hz) around 8×10-6cm/dyne
 Appropriate temperature 20-30 Celsius (most suitable 25 C)
 68-86 Fahrenheit (most suitable 77 F)
 Weight about 9.7g
 Body African Blackwood
 

-Kansui-


Miyajima conducted an experiment to produce a cartridge that is better than Shilabe:  Improvement in some parts and a change in the manufacturing process. The result is the “Kansui”.  Kansui did not completely exceed Shilabe, but there is slightly greater splendor and pleasure with the Kansui.  Balance, stillness, etc…  When you listen to a magnificent orchestra, you will understand.

 Maker Miyajima-Laboratory
 Product name Stereo cartridge -Kansui-
 Impedance About 16 ohms (About 0.23mV output)
 Frequency range (-3dB) 20 Hz to 32 kHz
 Tracking force 2.3 g
 Stylus Shape nude Shibata diamond stylus
 Compliance (10Hz) around 9×10-6cm/dyne
 Appropriate temperature 20-30 Celsius (most suitable 25 C)
 68-86 Fahrenheit (most suitable 77 F)
 Weight about 9.7g
 Body African Blackwood

 -Saboten L-
Saboten L selected carefully from a bit big beautiful cactus spine.
The tip of the cactus cantilever ties a short aluminum cantilever of 0.6 millimeters in diameter and attaches the pure diamond needle of the line contact.
It is a clear sound and expresses a delicate sound.
It does not give a useless sound.
It is hard to handle Saboten L for low compliance very much.
I thought about a plan change first, but decided to just make it.
I thought it to be the nearest from an original sound. 
I feel the good tone of the musical instrument and feel clear distance between a sound and sounds.
A start and force and the low tone speed are the best.
It is hard to handle this cartridge most in Miyajima-lab, but I want to certainly recommend it to a user possessing a large audio system.
You can enjoy real music by Saboten L.
The Cameroonian ebony body is hard and is heavy.
A black body has some white spots.
It is hard to look with a photograph, but is a beautiful spot.

About a special cantilever

 Maker Miyajima-Laboratory
 Product name Stereo cartridge -SabotenL-
 Impedance About 16 ohms (About 0.23mV output)
 Frequency range (-3dB) 20 Hz to 32 kHz
 Tracking force 3.0 g
 Stylus Shape nude Line Contact diamond stylus
 Compliance (10Hz) around 8×10-6cm/dyne
 Appropriate temperature 20-30 Celsius (most suitable 25 C)
 68-86 Fahrenheit (most suitable 77 F)
 Weight About 9.5g
 Body Cameroon ebony

 -Madake-
We used Japanese bamboo (madake) for a new cartridge.
Mr.Thomas Edison used this special madake to the filament of the electric bulb in old days.
This special madake is produced only from the mountain of Kyoto, Japan.

Mr.Thomas Edison found this highest quality madake from 1,200 kinds of bamboo of the world.

This madake is the firm bamboo which grew in the rich soil of the iron content.
Because I was looking for the firm cantilever which was not metal, it was the accidentally same condition.

I negotiated to obtain special madake in Iwashimizu Hachiman-gu Shrine of the mountain of Kyoto.
Because I respect Mr.edison of the inventor, “Edison” is included in the name of my Japanese audio shop.
Therefore, they handed over some madake to us in an exception.
Madake of ideal materials has special sound quality.

Madake is rare bamboo now. They do not sell bamboo (madake).
Please do not do an inquiry of the madake purchase to Iwashimizu Hachiman-gu.

There is Edison monument in Iwashimizu Hachiman-gu Shrine.
Iwashimizu Hachiman-gu Shrine is one of Japan’s three biggest Hachiman-gu Shrine.
The follows are websites of Iwashimizu Hachiman-gu Shrine. (Japanese website)

About a special cantilever

Iwashimizu Hachiman-gu Shrine HP
http://www.iwashimizu.or.jp/

Edison monument

 Maker Miyajima-Laboratory
 Product name Stereo cartridge -Madake-
 Impedance About 16 ohms (About 0.23mV output)
 Frequency range (-3dB) 20 Hz to 32 kHz
 Tracking force 2.5 g
 Stylus Shape nude Shibata diamond stylus
 Compliance (10Hz) around 9×10-6cm/dyne
 Appropriate temperature 20-30 Celsius (most suitable 25 C)
68-86 Fahrenheit (most suitable 77 F)
 Weight about 9.7g
 Body African Blackwood

Shibata Stylus 
shibata


The cross ring method is aimed at reproducing the sound of the LP precisely.
I think that music is recorded by a good sound to an LP.
The reproduction that is good if there is doubt on the part of a cartridge picking up a sound is impossible.

 

I use the cantilever which is bigger than a thing used generally for the cartridge of the product.
The reason is from the that a cantilever bends at the time of reproduction when I use a thin cantilever.
I repeated an experiment for correct reproduction. And I use the cantilever of a good result.

If you like true sounds, the cross ring method will become the best product.

 

Generally a terminal of the brass is used, but uses the thing which processed copper wire.A case and a certificate are enclosed to a product.